CV
CHOREOGRAPHY
Table on Table on Table; choreographer and co-director [collaboration with Shreshth Khilani]; four to nine dancers; 20 minute duration; presented by At Attic, and shown in SoLow Fest, Headlong's First Friday, FringeArts' Scratch Night, and Almanac's The Sowing; Philadelphia, PA; February-June 2018
Cabbage Head; choreographer and performer; duet [collaboration with Shreshth Khilani]; 20 minute duration; presented as a series of popup performances; Philadelphia, PA; December 2017
Embarrassing Friends (music: Mozart); choreographer and performer; quartet [collaboration with Shreshth Khilani, Franny Mestrich, Dylan Seders Hoffman]; 7 minute duration; presented at Headlong Performance Institute Final Showing; Philadelphia, PA; December 2017
Restage Reset Retell (music: The Books, Jon Bap, Fiona Apple); choreographer and performer; duet [collaboration with Rick Hong Manayan]; 10 minute duration; presented at Velocity Dance Center for the Seattle Festival of Dance Improvisation (SFDI); Seattle, WA; August 2017
GET OFF / starry-eyed lizard duets (music: Oneohtrix Point Never, College, Chromatics, Vanessa Carlton / Nathan Johnson With the Cinematic Underground, Avey Tare, Lesley Gore, Animal Collective, René Aubry); choreographer and performer; duet / quintet [collaboration with Rick Hong Manayan]; 25 minute duration; presented at the Patricelli ’92 Theater for the Wesleyan University Spring Dance Thesis Concert; Middletown, CT; March 2017
Attentive Abandon (music: The Books, Pyotr Ilyich Tchaikovsky); choreographer and performer; duet [collaboration with Rick Hong Manayan]; 10 minute duration; commissioned by the Wesleyan Center for the Arts in conjunction with Clarissa Tossin's Stereoscopic Vision; presented at the Ezra & Cecile Zilkha Gallery; Middletown, CT; February 2017
Be Hold Me (music: The Ronettes, Chris Thile); choreographer; six dancers; 10 minute duration; presented at the Patricelli '92 Theater for the Wesleyan University Fall Thesis Dance Concert, Middletown, CT; November 2016
Let Simmer (music: Artie Shaw, arranged by Ben Klausner); choreographer; six dancers; 10 minute duration; presented at the Wesleyan University CFA Theater for the Wesleyan University Winter Dance Concert, Middletown, CT; December 2015
Cold Feet (music: Chris Thile, Until the Ribbon Breaks); choreographer; five dancers; 5 minute duration; presented at the Patricelli '92 Theater for the Wesleyan University Spring Dance Concert; Middletown, CT; May 2015
PERFORMANCE
Performance Research with Leah Stein; (c. Leah Stein Dance Company); presented on Race Street Pier and at Leah Stein Dance Company's Spring Fundraiser; Philadelphia, PA; May 2018
Car Alarm Dance; performer (c. Andrew Simonet, David Brick, and Amy Smith); presented at Performance Garage; Philadelphia, PA; November 2017
Growing Our Own Gardens; performer (c. Matthew Cumbie); presented at the Dance Exchange Summer Institute; Washington, D.C.; July 2017
Between a Rock and a Soft Place; performer (c. Rick Hong Manayan); presented at Wesleyan University, Bessie Schonberg Dance Studio; Middletown, CT; May 2016
Storied Places; performer (c. Nicole Stanton); presented at Wesleyan University Cross Street Dance Studio; Middletown, CT; November 2015
PUBLICATIONS
"An Echo Score," Headlong Performance Institute Blog, April 2018
Abandon and Artifice: Re-Disorienting Pleasure in Dance Performance, Wesleyan University, April 2017
"Finding Queerness in Unknown Places," Dance Exchange Blog, January 2017
PRESS
Broad Street Review, Review of Table on Table on Table by Cameron Kelsall, June 2018
The Wesleyan Argus, Review of Be Hold Me by Sara Regan, November 2016